Good People | 2014-2015 Season

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Good People

Oct 21 – Nov 16


$25 tickets by phone or at the Box Office only.


In South Boston, this month’s paychecks cover last month’s bills, bingo is a night on the town, and sharp-tongued single-mom Margie Walsh has been let go from yet another job. Scrambling to make ends meet, she risks what little she has left to look up an old flame, hoping he’ll help her make a fresh start. Nominated for a Tony Award for Best Play, a humor-filled drama from Pulitzer Prize winner David Lindsay-Abaire about how twists of fate can determine our path.

By David Lindsay-Abaire
Directed by Mark Cuddy
Scenic Design by Jo Winiarski
Costume Design by Devon Painter
Lighting Design by Ann G. Wrightson
Sound Design by Lindsay Jones
Dramaturgy by Jenni Werner



NICK ABEEL is thrilled to make his debut at Geva Theatre Center. He has developed new work in NYC with Manhattan Theatre Club, NY Stage and Film, Partial Comfort, Primary Stages, The Lark, New Georges, EST Youngblood, Amios Theatre and Slant Theatre Project. He’s performed at UCB, the PIT, 59E59, Indiana Repertory, the Denver Center, and the Kennedy Center. Mr. Abeel is also a voice over artist with the Spoken Layer and can be heard on and the KQED Mindshift Education blog. He is a company member with Fight or Flight, a trapeze theatre company, and recently became the newest member of Broken Box Mime Theater. Proud graduate of the University of Evansville. 



PEGGY COSGRAVE (Dottie) originated the role of Clara in Miracle on South Division Street, at the Penguin  Theatre in Stony Point, New York and reprised the role in Connecticut, Vermont and Off-Broadway in New York City before coming to Nantucket for this production.  Ms. Cosgrave began her career over four decades ago playing Cathleen opposite Helen Hayes in Long Day’s Journey into Night and has subsequently appeared on Broadway, Off-Broadway, in many prominent regional theatres, and on film.  Broadway credits include The Nerd, Born Yesterday, Shadowbox and The Garden District.  Off-Broadway: Miracle on South Division Street, The Sandbox (directed by Edward Albee). Regional theatre credits include Steel Magnolias, You Can’t Take It With You, The Importance of Being Earnest and Fallen Angels among many others. Ms. Cosgrave has also had the privilege to perform “Big Momma” in Cat on a Hot Tin Roof in Vienna, Austria and Frankfurt, Germany.  TV credits include The Following and national commercials.  She most recently appeared in the world premiere of Warren (or Those People) at the Boise Contemporary Theatre, and, following her appearance as Dottie in this production of Good People, will travel to Indiana Rep, where she will reprise the role in another production.  Ms. Cosgrave is a proud member of Actors Equity. 





CONSTANCE MACY lives in Indianapolis, Indiana where she has been a regular performer at the Indiana Repertory Theatre for more than 20 years in roles ranging from Roxanne in Cyrano to Belinda in Noises Off to Mrs. Cratchit & Mrs. Fezziwig in A Christmas Carol, most recently playing Madge in The Games Afoot, Kate in Who Am I This Time, Annette in God of Carnage, Barbara in Iron Kisses, the title role in Becky’s New Car, and a solo performance in Lost: A Memoir.  She founded ShadowApe Theatre Company, an Indianapolis-based ensemble, in 1999 and has appeared in all of their critically-acclaimed productions including her original adaptations of Kurt Vonnegut’s Welcome to the Monkey House, Anne Sexton’s Transformations and the silent Not a Peep. Other companies include Playmakers Rep (N.C.), Pioneer Theatre Company (Utah), Syracuse Stage, Kansas City Repertory Theatre, the Phoenix Theatre (Indianapolis), Heartland Actors Repertory Theatre (Indianapolis) and Cardinal Stage Company (Bloomington, IN). Ms. Macy attended the drama school at Indiana University. She is a two-time Arts Council of Indianapolis Creative Renewal Fellow and a Lunt-Fontanne National Fellow.



DEE PELLETIER (Jean)makes her Geva Theatre Center debut In Good People. Broadway credits include August: Osage County and regional credits include BUG at the Barrow Street Theatre; The Soap Myth at Laura Pels Black Box; Grace, or the Art of Climbing at The Denver Center; Cymbeline, Hamlet and Hedda Gabler for the Shakespeare Theatre Company; Behind the Eye at Cincinnati Playhouse; The Syringa Tree and A Streetcar Named Desire for Vermont Stage Company and Crumbs from the Table of Joy at Yale Rep and Crossroads Theater. TV and Film credits include “Elementary,” “Girls,” “Law & Order,” “Law &Order: Criminal Intent,” “Third Watch,” “All My Children.” Ms Pelletier trained at Trinity Rep Conservatory.



SEAN PATRICK REILLY returns to Geva Theatre Center where he has appeared in Doubt and American Buffalo. Broadway credits include Superior Donuts and The Beauty Queen of Leenane. Off-Broadway credits include A Thick Description of Harry Smith for The Culture Project; Lakeboat, Edmond and Sexual Perversity in Chicago at Atlantic Theater Company; Buried Child, Seduced, States of Shock and Chicago at Signature Theatre Company; Antigone at the Public/NYSF; Holy Water at Second Stage; The Unknown Icons at Circle in the Square; Painting X’s on the Moon for Naked Angels; The Killer Inside Me at the Promenade; Nebraska and The Gingham Dog at Circle Rep, among others. Regionally, Mr. Reilly has appeared in Williamstown Theatre Festival, Westport Playhouse, Alley Theatre; the Cleveland Play House; Theatre Squared; Trinity Rep; Kennedy Center; Edinburgh Festival and at the RSC. Film and TV credits include A Wife Alone, Fair Game, Howl, Following Bliss, Something Borrowed, Solitary Man, The Sorcerer’s Apprentice, Man of the Century, Jerry Maguire, State and Main, Sleepers, “Blue Bloods” (CBS), “Bored to Death” (HBO), “Mildred Pierce” (HBO), “Damages” (FX), “Third Watch” (NBC), “The Black Donnellys”(NBC) and “Law & Order” (NBC).



David Lindsay-Abaire is a playwright, lyricist, librettist and screenwriter. His most recent play Good People and Rabbit Hole was directed by Daniel Sullivan at Manhattan Theatre Club. David was most recently nominated for a Grammy Award with composer Jeanine Tesori (Best Musical Show Album) and two Tony Awards (Best Book of a Musical and Best Score) for their work on Shrek the Musical. Prior to that David was awarded the 2008 Ed Kleban Award as America’s most promising musical theatre lyricist. Prior to that, he received the 2007 Pulitzer Prize for Drama for his play Rabbit Hole, which premiered on Broadway at MTC’s Biltmore Theatre. Rabbit Hole also received five Tony Award nominations, including Best Play, and the Spirit of America Award. David’s plays include Fuddy MeersKimberly AkimboWonder of the WorldHigh Fidelity and A Devil Inside, among others. In addition to his work in theatre, David screen credits include his film adaptation of Rabbit Hole (20th Century Fox) starring Nicole Kidman, as well as the Guardians of Childhood (DreamWorks) and Oz: The Great and Powerful (Disney, directed by Sam Raimi.) David is a proud New Dramatists alum, a graduate of Sarah Lawrence College and the Juilliard School, as well as a member of the WGA and the Dramatists Guild Council.



MARK CUDDY is in his twentieth season as Artistic Director of Geva Theatre Center. This season, in addition to Good People, he will direct A Christmas Carol (which he also adapted), and the world premiere of The Road to Where, written by and starring Broadway veteran Cass Morgan.  Last season he directed Clybourne Park, Pump Boys and Dinettes and A Christmas Carol. Mr. Cuddy is well known for his staging of premieres, contemporary comedies and musical theatre. Among his Geva Theatre Center productions have been the Mainstage and Nextstage productions of  A Midsummer Night’s Dream, The Agony and Ecstasy of Steve Jobs, You Can’t Take It With You, Company, Superior Donuts The Music ManFive Course Love, Fences; Sweeney Todd; A Christmas Story; Pride and Prejudice (which he also co-adapted); Bad Dates; Our Town; Tuesdays With Morrie; Urinetown; Splitting Infinity; Vigil; A Chorus Line; Hamlet; That Was Then (American premiere); Convenience (world premiere musical); 1776; Proof; the world premiere of Thornton Wilder’s Theophilus North which was also seen at Arena Stage in Washington, D.C.; The Miser; the East Coast premieres of both House and Garden; Quilters; Art; Famous Orpheus (world premiere musical) with Garth Fagan Dance; Every Good Boy Deserves Favor with the RPO; Golf With Alan Shepard; Picasso at the Lapin Agile and State of the Union. In 2013, he was also appointed the Producer and Chief Executive of The Cape Playhouse in Dennis, MA. Prior to his tenure at Geva Theatre Center, Mr. Cuddy directed a number of world and American classics while Artistic Director of the Idaho Shakespeare Festival and Sacramento Theatre Company.


Scenic Design

JO WINIARSKI returns to Geva where she previously designed, A Midsummer Night’s Dream and The Clean House.  Recent design credits include “Wishes” for Disney Cruiseline. Off-Broadway credits include Love, Loss, and What I Wore, Love Therapy, The Jewish American Princesses of Comedy, I Love You Because, and multiple shows with the Pearl Theatre Company.  Other New York design credits New Georges, The New Group, Keen Company, and Clubbed Thumb.  Regional design credits include the Oregon Shakespeare Festival, eight seasons at the Utah Shakespeare Festival, the Dallas Theater Center, Virginia Stage, and Capital Repertory Theatre.   Ms. Winiarski is the art director on, “Late Night with Seth Meyers.”  She received an Emmy nomination for “Colbert Christmas: The Greatest Gift of All.”  


Costume Designer


Lighting Designer

ANN G. WRIGHTSON happily returns to Geva Theatre Center where she has designed numerous shows over the years.  Her recent work includes Vanya and Sonia and Masha and Spike at Asolo Rep; A Midsummer Night’s Dream and The Game’s Afoot at Indiana Rep; and Fiddler on the Roof and Anna Karenina at Portland Center Stage. She designed the Broadway production of Souvenir and she was a Tony nominee for her work on the Tony Award-winning August: Osage County, which she designed for Broadway, London, Sydney and the National Tour.  Past projects include The Unmentionables for Yale Repertory, UP, Tracy Letts’ The Man From Nebraska (a Pulitzer Prize finalist of 2003), Steppenwolf Theatre, ten seasons at the Oregon Shakespeare Festival; a world premiere.  Other work has been seen at the Kennedy Center, the Long Wharf, Arena Stage and the National Playwrights Conference Eugene O’Neill Theater Center. Awards are 2009 IRNE Award for Best Lighting for Fences at the Huntington, Backstage Garland Award for Magic Fire at OSF and an AUDELCO nomination. 


Sound Designer

LINDSAY JONES is very pleased to return to Geva Theatre Center for Good People which is his 19th production here. Broadway credits include Bronx Bombers and A Time To Kill. Off-Broadway credits include Bootycandy at Playwrights Horizons, Through the Night at Union Square/Westside Theatres, Wild With Happy at the Public Theater, Top Secret for New York Theatre Workshop, Rx at Primary Stages and many others. Regionally he has designed for the Guthrie Theatre, Center Stage, American Conservatory Theatre, Hartford Stage, South Coast Repertory, Alliance, Goodman, Arena Stage, Yale Repertory, The Old Globe, Chicago Shakespeare, Steppenwolf, Lookingglass and many others. International: Stratford Shakespeare Festival (Canada), Royal Shakespeare Company (England), as well as productions in Austria, Zimbabwe, South Africa and Scotland. Awards: Six Joseph Jefferson Awards and 21 nominations, two Ovation Awards and three nominations, LA Drama Critics Circle Award, two ASCAP Plus Awards, three Drama Desk Award nominations, 2 AUDELCO nominations and nominations for Helen Hayes, Henry Hewes Design, Barrymore, and many others. Mr. Jones was also the first sound designer to win the Michael Maggio Emerging Designer Award.  Film scoring includes HBO Films’ A Note of Triumph (2006 Academy Award, Best Documentary), and Family Practice for Sony Pictures.




Stage Manager



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